
Titles in Series: Contributions to the Study of Popular Culture
- "Mr. B" or Comforting Thoughts About the Bison: A Critical Biography of Robert Benchley
- A "Brand" New Language: Commercial Influences in Literature and Culture
- A Call to Action: The Films of Ousmane Sembene
- A Storied Singer: Frank Sinatra as Literary Conceit
- Agent of Challenge and Defiance: The Films of Ken Loach
- America's Musical Pulse: Popular Music in Twentieth-Century Society
- American Dark Comedy: Beyond Satire
- Auteur/Provocateur: The Films of Denys Arcand
- Ban Johnson: Czar of Baseball
- Behold the Mighty Wurlitzer: The History of the Theatre Pipe Organ
- Bleep! Censoring Rock and Rap Music
- Buckskins, Bullets, and Business: A History of Buffalo Bill's Wild West
- By Angels Driven: The Films of Derek Jarman
- Common Culture and the Great Tradition: The Case for Renewal
- Creating the Big Game: John W. Heisman and the Invention of American Football
- Dark Alchemy: The Films of Jan Svankmajer
- Dark Cinema: American Film Noir in Cultural Perspective
- Devouring Whirlwind: Terror and Transcendence in the Cinema of Cruelty
- Edison's Kinetoscope and Its Films: A History to 1896
- Encounters with Filmmakers: Eight Career Studies
- Ethnicity and Sport in North American History and Culture
- European Readings of American Popular Culture
- Film, Horror, and the Body Fantastic
- Forbidden Adventures: The History of the American Comics Group
- Freaks of Genius: Unknown Thrillers of Louisa May Alcott
- Hibernian Green on the Silver Screen: The Irish and American Movies
- Hollywood as Mirror: Changing Views of "Outsiders" and "Enemies" in American Movies
- Imagining the Worst: Stephen King and the Representation of Women
- In Manors and Alleys: A Casebook on the American Detective Film
- Lawrence of Arabia and American Culture: The Making of a Transatlantic Legend
- Lois Weber: The Director Who Lost Her Way in History
- Master Space: Film Images of Capra, Lubitsch, Sternberg, and Wyler
- Mighty Casey: All American
- National Styles of Humor
- Noir, Now and Then: Film Noir Originals and Remakes (1944-1999)
- Not Just for Children: The Mexican Comic Book in the Late 1960s and 1970s
- Out of the Woodpile: Black Characters in Crime and Detective Fiction
- Outsider Features: American Independent Films of the 1980s
- Parody as Film Genre: "Never Give a Saga an Even Break"
- Perry Mason: The Authorship and Reproduction of a Popular Hero
- Personality Comedians as Genre: Selected Players
- Poet of Civic Courage: The Films of Francesco Rosi
- Populism and the Capra Legacy
- Post-Franco, Postmodern: The Films of Pedro Almodovar
- Putting Dell on the Map: A History of Dell Paperbacks
- Queen of the 'B's: Ida Lupino Behind the Camera
- Radical Visions: American Film Renaissance, 1967-1976
- Reading Harry Potter: Critical Essays
- Religion and Sport: The Meeting of Sacred and Profane
- S.J. Perelman: A Critical Study
- Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America
- Screwball Comedy: A Genre of Madcap Romance
- Seeking the Perfect Game: Baseball in American Literature
- Seven Pillars of Popular Culture
- Shaman or Sherlock?: The Native American Detective
- Shape-Shifting: Images of Native Americans in Recent Popular Fiction
- Songs of Love and Death: The Classical American Horror Film of the 1930s
- Sport and Society in Latin America: Diffusion, Dependency, and the Rise of Mass Culture
- Sport in America: New Historical Perspectives
- Strange TV: Innovative Television Series from The Twilight Zone to The X-Files
- Take One: Television Directors on Directing
- Tarzan and Tradition: Classical Myth in Popular Literature
- The American West in Film: Critical Approaches to the Western
- The Baker Street Reader: Cornerstone Writings About Sherlock Holmes
- The Cosby Show: Audiences, Impact, and Implications
- The Cowboy Way: The Western Leader in Film, 1945-1995
- The Detective in American Fiction, Film, and Television
- The Devil Himself: Villainy in Detective Fiction and Film
- The Last Modernist: The Films of Theo Angelopoulos
- The Neutral Ground: The Andre Affair and the Background of Cooper's The Spy
- The Rhetorics of Popular Culture: Advertising, Advocacy, and Entertainment
- The Sleuth and the Scholar: Origins, Evolution, and Current Trends in Detective Fiction
- The Use of Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings
- Theory and Practice of Classic Detective Fiction
- Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice
![]()
|
Powered by Content Directions, Inc. (CDI) and the Digital Object Identifier (DOI) View additional CDI examples |