Titles in Series: Contributions to the Study of Music and Dance

• 20th-Century Microtonal Notation
• A Most Wondrous Babble: American Art Composers, Their Music, and the American Scene 1950-1985
• Alfred Einstein on Music: Selected Music Criticisms
• An Outward Show: Music for Shakespeare on the London Stage, 1660-1830
• Armseelchen: The Life and Music of Eric Zeisl
• Beethoven in Person: His Deafness, Illnesses, and Death
• Born to Play: The Life and Career of Hazel Harrison
• Busoni and the Piano: The Works, the Writings, and the Recordings
• Chopin Through His Contemporaries: Friends, Lovers, and Rivals
• Communities in Motion: Dance, Community, and Tradition in America's Southeast and Beyond
• Dancing Spirits: Rhythms and Rituals of Haitian Vodun, the Rada Rite
• Dancing Till Dawn: A Century of Exhibition Ballroom Dance
• Discordant Melody: Alexander Zemlinsky, His Songs, and the Second Viennese School
• Domenico Cimarosa: His Life and His Operas
• Edison, Musicians, and the Phonograph: A Century in Retrospect
• Edmund Thornton Jenkins: The Life and Times of an American Black Composer, 1894-1926
• Electroacoustic Music: Analytical Perspectives
• Feminist Aesthetics in Music
• From Chords to Simultaneities: Chordal Indeterminancy and the Failure of Serialism
• From Sibelius to Sallinen: Finnish Nationalism and the Music of Finland
• Fugal Composition: A Guide to the Study of Bach's '48'
• Howard Hanson in Theory and Practice
• Jazz Poetry: From the 1920s to the Present
• Johann Sebastian: A Tercentenary Celebration
• Mainstream Music of Early Twentieth Century America: The Composers, Their Times, and Their Works
• Modern Myths and Wagnerian Deconstructions: Hermeneutic Approaches to Wagner's Music-Dramas
• Movement to Music: Musicians in the Dance Studio
• Mozart in Person: His Character and Health
• Music and Musket: Bands and Bandsmen of the American Civil War
• Music as Propaganda: Art to Persuade, Art to Control
• Music for the Dance: Reflections on a Collaborative Art
• Music of the Repressed Russian Avant-Garde, 1900-1929
• Mythology as Metaphor: Romantic Irony, Critical Theory, and Wagner's Ring
• Nellie Melba: A Contemporary Review
• Nomai Dance Drama: A Surviving Spirit of Medieval Japan
• Opera Odyssey: Toward a History of Opera in Nineteenth-Century America
• Otto Laske: Navigating New Musical Horizons
• Passport to Jewish Music: Its History, Traditions, and Culture
• Perspectives on the Grateful Dead: Critical Writings
• Philosophy and the Analysis of Music: Bridges to Musical Sound, Form, and Reference
• Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City
• Sing Sorrow: Classics, History, and Heroines in Opera
• Tchaikovsky and His Contemporaries: A Centennial Symposium
• Televising the Performing Arts: Interviews with Merrill Brockway, Kirk Browning, and Roger Englander
• The Character of a Genius: Beethoven in Perspective
• The Coming of Age of American Art Music: New England's Classical Romanticists
• The Cultivation of Body and Mind in Nineteenth-Century American Delsartism
• The Dawning of American Keyboard Music
• The Music of Anthony Braxton
• The Music of Morton Feldman
• The Music of Stuart Saunders Smith
• The Musical Image: A Theory of Content
• The Piece as a Whole: Studies in Holistic Musical Analysis
• The Voice of Nations: European National Anthems and Their Authors
• The Wind and Wind-Chorus Music of Anton Bruckner
• The Writings and Letters of Konrad Wolff
• Theological Music: Introduction to Theomusicology
• Titta Ruffo: An Anthology
• Virtue or Virtuosity?: Explorations in the Ethics of Musical Performance
• Voices of Combat: A Century of Liberty and War Songs, 1765-1865
• Wagner's Ring and German Drama: Comparative Studies in Mythology and History in Drama
• Whose Master's Voice?: The Development of Popular Music in Thirteen Cultures
• Wiser Than Despair: The Evolution of Ideas in the Relationship of Music and the Christian Church

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